The Famous Panel of Female Musicians Museum Reproduction with Certificate
Modern Reproduction, the same as the original one Comes with a certificate of verification issued by the Egyptian Supreme Council of Antiquities.
Type: Egyptian Ancient Antiques
Material: Polyester
Coloring: Colored
Dimension:
- Width: 32 cm
- Height: 37 cm
- Weight: 7.755 kg
-Nakht cemetery, the family of 18Sheikh Abdul Qurna, Nobles Tombs, The best three dancers - the players – a scene in the Tomb of Nakht.
-While jumps were included in the dance movements of the Middle Kingdom, dancing in the New Kingdom is seen as being depicted as more slender and fluid in movement. In the New Kingdom when "life in noble homes in Egypt reached a level of elegance and events", women and men can be seen dressing up and adorning themselves for special occasions.
-They would also add color to their cheeks and lips, Events were held, and celebrants would enjoy watching the dancers and listening to the wondering singing and music being performed by ancient instruments.
-The dancers would appear almost naked or wearing delicate and luxurious clothes made of fine linen to create a wonderful harmony with the body and highlight the signs of its beauty.
-Scenes of "dancing" have appeared in many "banquets" and represent the joy of living in ancient Egyptian society.
-The enchanting scenes reflect the atmosphere of harmony, happiness, and the renewal of emotional ties between the hosts and the guests.
-One can sense the importance of drinking and the exchange of toasts amongst the guests, wishing for a long life and enjoying the dancing, music, and singing.
-In the dance, the vitality of the dancing body symbolizes the renewal of life, and the artist will realize the idea with an "eclectic" vision.
-Such drawings are distinguished by their beauty represented in elegance and the flow of curved lines and their flow.
-The gestures of the arms, torsos, and legs contribute to clarifying the directions of movement, or to the practice of playing the guitar or the flute or the sound of tambourines.
-Dance iconography includes the heel of her hind foot from the ground, or the raising of the arms because the "raised heel" shows the iconography of dance.
-It may mean that a woman plays the oud while raising her heels, it implies that she is dancing on the ground.
-As for the movement of hair braids, it refers to a position of "bending" back slightly or turning with the shoulders.
-Female dancing can be interpreted as an of fertility.
-A group of women danced on ceremonial occasions, with drums, tambourines, and adornments. They represent symbols of material, emotional, and spiritual wealth, which is expected to bring the gods.
-With the artist's ingenuity, the artistic work becomes useful in making the place where it was used in preparation for the rituals of the Resurrection, when he breathes life into the inscriptions and drawings that he has accomplished, giving supernatural authority and “mixed in such inscriptions the human connotations with inhumanity, and turned into signs that contribute to the completion of the crossing process from Real life to the afterlife of the deceased.
-The function of art in ancient Egyptian society was to remind people that the other world is more present than the present world.
-“Death” in the belief of the ancient Egyptians was like the night before the crossing to eternal life.
-The “death of man” by the phenomenon of “sunset”, meaning that “the renewed sunrise every morning meets a new body, giving hope to renew the life of the dead just as the sun renews its life and light as soon as its boat leaves the east, starting a new day.”
-In the tomb of" Nakht "in Thebes, a mural depicts the scene of" dancers and musicians ", one of them playing the flute and the other on the oud.
-And the third is on the fugitive, and my situation is different They were accused according to the movements of their heads, in addition to the diversification of the gestures of the movement of their hands according to the type of the playing instrument.
-Also, the “movement of the braids” differed according to the different positions of the bodies, and the artist also succeeded in showing the flexibility of the “body of the dancer” with its “flowing” lines and rhythmic movement.
-With a flexible, graceful, and coordinated movement, against the face, while drawing the chest from the front. Here the artist took care of achieving harmony between the curvature of the fugitive and the bends in the body lines of the performers and the dancer.
All items are handmade, and approved by the Egyptian Ministry of Antiquities.
Customers should be aware that there may be variations between matching items.
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